![]() Table of Contents Finish List - Girls - Middle School Girls 7th/8th Gr - XC Invitational Team Detail - Girls - Middle School Girls 7th/8th Gr - XC Invitational Top Overall Finish List - Girls Middle School Girls 7th/8th Grade XC Invitational O'all Adj Place Place Bib No Name Team Time Paceġ 1 196 Gia Pisano St. Results By Run Houston Timing Run Houston Timing But Augustine, whom so many see, needed to be placed, visually, in a more.FEAST Patriot Invitational GIRLS FEAST Patriot Invitational GIRLS September 10, 2016 ![]() I am not Augustine, I do not wish to be, and I do not wish to pretend to be. The process of opening the shutter on myself (by way of someone else) is an exercise in patience. It was a collusion of all these forces, and probably many more, that led to the invention of Augustine's hysteria and perhaps hysteria more broadly. So, hysteria, and most especially Augustine's hysteria, was staged, in a very complex way, by the medico-photographic institution of the Salpetriere: by the lights, the camera, the props, the flash, the photographer, the physician, and Augustine-the hysteric-herself. And Augustine used her histrionic skills, finally, after the masterful execution of many poses, after at least seventeen snaps of the shutter, to "put an end to her existence as a 'case,' " to dress up as a man and walk out of Charcot's "living pathological museum" (Marneffe 79, Didi-Huberman 276, Charcot 3). ![]() It took skill, reflex, and probably cunning to be "the star model for a whole concept of hysteria" (Didi-Huberman 117). And it is universal only if it can be seen and the act of seeing reproduced" (379).īut while there was the hypnosis, the ether and chloroform, the photographic staging, flash, and subsequent retouching work, Augustine was there as well and she was not mute, and she was not passive (Didi-Huberman 215, Baer, Marneffe 84). As historian Sander Gilman comments writing on hysteria, "isease is only real if it is universal. These photographs became the very proof of hysteria. In other words, all these elements collaborated to create the hysteria that we can, today, see on paper. These photographs were both posed and "photoshopped" using painting techniques: the hysterics themselves, the backgrounds, and the final photograph were each in turn regulated by means of paint. The photographs taken of her were calotypes, executed with a large format camera. As one famous hysteric who went through the optical machine of the Salpetriere, Augustine, like many hysterics, was put under hypnosis and under ether and chloroform. Described by Sigmund Freud, who was one of his pupils and admirers, as a "visuel"-a man who knows through seeing-Jean-Martin Charcot, along with one of his right-wing men, photographer Paul Regnard, ate lives up, processing them through the twin medico-photographic project of the Salpetriere hospital (Freud, "Charcot" 12).Īugustine was one such life. Who were they? What did they say? Where did they go? Much of this information is either lost, as most personal histories are, or occluded by the auteur of hysteria, Doctor Charcot himself, founder of the Salpetriere's neurology clinic, for he did not like listening, only seeing (Marneffe 75, 77). And all those women depicted-invented by the "great optical machine" of the Salpetriere hospital in late nineteenth-century Paris, by the Salpetriere's veritable "image factory," become fixed (Didi-Huberman 9, 30). Hysteria's "disappearance," its current fragmentation, desensationalizes the hysterical body (Micale, 1993). I come to hysteria lost, confused, detached.
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